Individuality should overcome the desire to go up to fame
My artworks is my existence. I embraced this world from my childhood. The response to how much I was able to express myself as of this age today is that I did so not make any mistake in any attempts. I've tried to use time appropriately. I could say that there is absolutely no punctuation in the vocabulary of the artist. My artistic world is like that.
My journey started from the then Dhaka Government Art College. That was in 1970. Simply put, it is the amount of practicing realistic writing. I graduated in 1975. The lessons from the teachers has inspired me a whole lot throughout that time. The class teachers were Anwar Sir, Baset Sir, Rafiqunnabi Sir, Delwar Sir.
Then the thought of consciousness changed. Like everybody else, the desire to be an artist made me to spend sleepless nights. THEREFORE I visited India for higher education in 1979. While doing the masters, I was fortunate to have KG Subramaniam, Jyotivat, Golam Mohammad Sheikh, VK Bhat and Ratan Paromio as teachers. At that time I was in a daze. They learn how to bring individuality to work, but in those days I was not able to achieve it.
However, I have learned from them the construction of the language of Chhambir, which continues to be in my path. I've no hesitation in saying that I've learned to comprehend the painting. I thought Gurubakdhya was the top at that time. I returned in 1981.Today there is absolutely no way to deny their contribution to the construction of my industrial structure. Their advice, their critique firmly cemented me in this artistic world today.
I was created in 1953 in Berai village of Tangail district. I was raised studying in Dhaka. I spend my childhood in the town environment. I have already been acquainted with the cottage industry, conch industry, rickshaw industry, cinema decoration, glass painting and many other things nearby the old Dhaka oli. When I visited the village, I went to the fair and saw various types of folk art.
Mother used to create Tepa dolls at home. Actually my mother was my first education guru. Talking a whole lot isn't possible in this range. There should be no doubt about the energy of creation. That's where industrialism flourishes. Rabindranath's paintings are his best example. In the words of his song, additionally it is said, "Why do you doubt to cross the door to the victory of the unknown".
The art is to explore the paths of unknown. Thoughts have to be resources here. Then the art could possibly be given life. Today's art is intellect-centered. There should be a touch of contemporaneity in this age of globalization. The shadow of an artist's lifelong ambiguity must remain in his work. I learned from real artists like Ram Kinkar Beaz, Mukul Dey, Gopal Ghosh, Zainul Abedin, M, F, Hussain, Sunil Das, S, M, Sultan, Kamrul Hasan, Aminul Islam and others. My inspiration was Devdash Chakraborty, Kibria, Safiuddin Ahmed, Shahabuddin, Munirul Islam, Rashid Chowdhury, Mortaza Bashir.
Beyond the borders of the country, the inspiration of several well-known art critics from abroad in addition has inspired my artwork. In the life of every artist you will find a change of speech in the practice of art. It is thought to go deeper in to the object. Not everything that is scattered around is digested all at once. There is a dependence on self-judgment. This is one way the application ought to be.
The success of life means, your brain is the love of man. It is possible to get it by cultivating love and beauty in the consciousness of the persons of the society and the united states. The main topic of my picture is life in nature. Geometry and organic and natural structure are my writing principles. I really believe in the bond between the present and days gone by. I like to have the same feeling in the technique. I'm not interested in forgetting my prey. I will say the same to the present generation.
Undoubtedly, I applaud those people who are practicing real painting. There are lots of promising artists in Bangladesh. We just need the cooperation of the government and the patrons of art. Nepotism shouldn't be tolerated. If individuality overcomes the desire to go up to fame, only then your image of the country can be brighter and brighter daily.
