You need to be confident you are adding to the film's quality
Pooja Hegde made her Hindi film debut found in 2016 opposite Hrithik Roshan found in Mohenjo Daro. Although the film didn't function, the celebrity found her feet in the business. She gradually picked up jobs down South and finally, created a healthy harmony between ventures in Telugu and Hindi. While she's worked with Akshay Kumar, Ranveer Singh and Hrithik Roshan in Hindi cinema, Pooja provides teamed up with Allu Arjun and NTR Jr in the south.
Talking about the issues the trajectory comes with, Pooja says, "I think the challenge is usually to stand your have in any film. My initial film in Hindi was with Hrithik Roshan. Doing a song contrary him can be so daunting. I remember being so nervous about it because he's so excellent at what he will. And if you're bad, it will stick out. One should be good more than enough and match to him if certainly not do better. It's difficult but that is the challenge. Eventually, I've done dance-heavy music with NTR Jr and Allu Arjun.
Every film includes challenges. Whether you're acting within an ensemble or otherwise, you have to be confident that everything you are increasing the film's quality. I may look confident but I am nervous. I use that nervous energy to hold to the character, possibly tighter. You should create your own identity while working in a film."
In just a few years, Pooja has managed to make a tag in Hindi and Telugu cinema. Had everything eliminated as planned, she would also have seen a Tamil let go this year. Talking about the down sides one faces while switching languages, Pooja elaborates, "I think there is no legitimate mantra for cracking that. There is absolutely no substitute for effort.
You have to try to understand that a girl born and raised in Mumbai will react differently to a given situation from a girl born and raised in Hyderabad. It got me some time to get my head around that. As well, the audience must accept you, which can be an organic, natural element. You need to be mindful and grateful for this when it happens.
The audience has accepted me, and I don't take that lightly. I am not really a language-bound artiste. I've paid a whole lot of focus on that. You have to try to uncover the languages of the cinemas you work in, dub in your tone of voice for the market to assume that you've embraced their way of life, their language. These little things hook up you deeply with the visitors."
